Color Choices in Film: A Look at Cinematic Color Craftsmanship
INDEX
Films with Striking Color
Color Craftsmanship
Colors That Shift with Emotion
Adding Color
Removing Color
Conclusion


Films with Striking Color
The 3 films I've selected as having striking color are:
Dancer in the Dark
Director: Lars von Trier. Synopsis: A rural town in America. Czech immigrant Selma lives with her son Gene. Though they live modestly, surrounded by the friendship of their neighbors, she spends happy days enjoying musicals, her source of joy. But she has a sad secret. Selma is losing her sight to a hereditary illness, and unless Gene undergoes surgery, he'll suffer the same fate……
Outrage Beyond
Director: Takeshi Kitano. Synopsis: The sequel to "Outrage," the violence film directed by and starring Takeshi Kitano, depicting fierce power struggles between criminals. Five years after the conflict within the Sannokai—the largest yakuza organization in Kanto. As the Sannokai expands excessively, reaching the top of Kanto and even entering the political world, the police begin to take action to destroy the organization. Targeting the Hanabishi-kai, the kingpins of Kansai, the police plot to set the two giant East-West yakuza organizations against each other—while they officially maintain friendly relations. Meanwhile, the fact that the yakuza Otomo, supposedly killed in prison during the previous conflict, is still alive comes to light, and his release is suddenly announced. Continuing from the previous film, Beat Takeshi, Tomokazu Miura, Ryo Kase, Hideo Nakano, Fumiyo Kohinata, and others return, with Toshiyuki Nishida, Sansei Shiomi, Katsunori Takahashi, Kenta Kiritani, Hirofumi Arai, and others joining anew as Kansai yakuza.
Moonlight
Director: Barry Jenkins. Synopsis: Set in Miami, this human drama depicts a young man searching for his place and identity, told across three stages of his life—childhood, teenage years, and adulthood. It won three awards at the 89th Academy Awards: Best Picture, Best Adapted Screenplay, and Best Supporting Actor. Living in a poor neighborhood in Miami, the timid Chiron is bullied at school where he's called "Little," and at home he's neglected by his drug-addicted mother Paula. The only people who treat Chiron kindly are Juan, a drug dealer who lives nearby, and his wife, and Kevin, his only male friend. Eventually, Chiron begins to feel something more than friendship for Kevin—but realizes that such feelings would never be accepted in his community, and confides in no one. Then, one day, an incident occurs…… Naomie Harris of the "007" series plays mother Paula, and Mahershala Ali from the TV series "House of Cards" plays drug dealer Juan. Brad Pitt, who has also produced the Academy Award-winning "12 Years a Slave," serves as executive producer. This is the second feature film directed by Barry Jenkins.
Color Craftsmanship
Dancer in the Dark
In this film, scenes where the protagonist lives in reality and scenes where she frequently fantasizes are clearly distinguished.
In terms of color, the reality scenes are faded like sepia, while the fantasy scenes are vivid, bright, and crisp—even the clouds floating in the sky are clearly rendered.
It's not just the colors that are distinguished—the camerawork is too. In the reality scenes, the camera is mostly set at eye level and held by hand, giving a shaky, somewhat hard-to-watch impression. In the fantasy scenes, the camera is fixed, and angles like low-angle shots and close-ups are used extensively, allowing you to feel the protagonist's sense of freedom in her heart.
Outrage Beyond
Director Kitano's best-known signature is the overall bluish color palette of his films. Originally avoiding the use of excess colors, Director Kitano began shooting with blue in mind from a certain point onward. However, since the 2002 Japanese film "Dolls," Kitano Blue has been less emphasized.
From: Outrage Beyond https://wwws.warnerbros.co.jp/outrage2/
In Outrage Beyond, which we feature here, blue isn't a particularly strong impression either. A characteristic of this film—likely related to its narrative content as a violence film—is that the mid-tones throughout are kept dark. Even so, the shadows aren't extremely deep; the actors' costumes, suits, ties, and so on are colors that stand out in the darkness. They aren't bold colors that overpower the shadows, but tones that harmonize with the shadow colors while letting each element's own color shine through.
Moonlight
From its very opening, this film was striking for its visual beauty. The colors throughout are gorgeous—the sunlight, the dappled light through trees, the green of leaves, the light on the sea—the backgrounds glow with dazzling transparency. Most of the actors are Black. When I myself have done photo or video color correction, I remember finding it quite difficult to retouch people with darker skin tones. But in this film, the background has outstanding transparency, and the actors are all portrayed beautifully.
Colors That Shift with Emotion
Dancer in the Dark
The protagonist of this film is a woman who loves to fantasize. The reason is that in her reality, she spends her days in tension and depression, never relying on anyone, so fantasizing was probably the only way she could distract herself or find joy in her daily life. If it were me, I'd probably enjoy real rainbows or sunsets rather than fantasizing.
But the protagonist has a hereditary eye disease and very little eyesight, so "seeing through fantasy" suits her better than physically "seeing."
The reality scenes are faded like sepia with subdued tones, while the fantasy scenes are vivid, bright, and crisp. In her fantasies, the protagonist isn't visually impaired or weak—the colors of the imagery seem to be linked directly to the protagonist's emotions.
Adding Color
Kitano Blue
As mentioned earlier, Director Kitano is well known for his meticulous attention to color, and his most recognized signature is the overall bluish palette of his films. This technique is so distinctive that it's known worldwide as "Kitano Blue." Blue is often used in costumes and props. Beyond just the props used, blue tones are reportedly added across the entire image.
Removing Color
Moonlight
You might think the beautiful visuals came from the cinematography itself, but in fact, all the footage was digitally processed after filming. The dappled light and reflected light were made to look like real light by removing color and brightening all reflective areas to glow white.
Removing color is like making the film transparent—the projected light is designed to reflect from the screen to the audience. This means viewers in the theater watching the screen directly receive the reflected light from the screen, giving the film its exceptional transparency.
What's more, the reason the Black actors looked so strikingly beautiful is that blue—which wasn't there at filming—was added during editing. Unlike Kitano Blue, this technique adds color only to specified areas. By doing this, backgrounds like the dappled light retain their transparency while characters are shown in their most beautiful form.
Conclusion
How was that? Even when watching the same film, just changing your perspective can create a different impression. Sensing various color palettes firsthand might lead you to new discoveries.
Reference: Tomohiro Machiyama Talks About the Film "Moonlight"
Reference: Sonatine
Reference: HANA-BI
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